Print Magazine

Connect, create, and support a resilient design community! Join your friends, colleagues, mentors, idols and company professionals at the 2025 AIGA Design Conference in Los Angeles October 9-11. Through inspiring talks, hands-on workshops, and meaningful collaborations, you'll explore design’s impact and its power to shape a more inclusive future. Tickets are still available with a discounted rate through October 3 for members @aigadesign Find our more here: https://lnkd.in/ek-7mt2M #aigadesign #designconference #cfp #creativecommunity #designinspo #designevent #graphicdesign

Blow out the candles Jane and pass a piece of cake to Mr. Darcy. In honor of Jane Austen's 250th birthday, the Folio Society assembled an impressive group of writers and artists to create the finest edition of Jane Austen’s works possible. Read more at PRINT https://lnkd.in/gHQ5u6WK Words: Charlotte Beach @scarlettepeach Images: Courtesy of The Folio Society @foliosociety -- #print #printmagazine #bookdesign #illustration

Democratizing The Future Of Credit With Tilt’s New Rebrand Credit brands historically brand themselves around authority and security, but the fintech company's identity, designed by London-based Agency Ragged Edge projects grit, warmth, and urgency. Read more at PRINT https://lnkd.in/gJrkZ2-f Words: Amelia Nash @amelia.of.all.things Images: Ragged Edge @ragged_edge --- #print #printmagazine #branding #branddesign #logo

Benefit vs. Brand: The New Economy of Functional Food Design. These days, food is more than food. It’s an energy supplement, a vitamin delivery system, and a focus-enhancer, all rolled into one. To avoid becoming another flash in the pan, brands must strike a balance between communicating function and maintaining brand identity. Winning in this space means striking the right balance between multi-benefit messaging and brand design. Executive Director of Strategic Business Development at Pearlfisher, Justine Allan's shares insights at PRINT https://lnkd.in/g2e9i4Py Words: Justine Allan Images of Oca, Thistle, and GoMacro KiDS courtesy of @pearlfisherlive -- #print #printmagazine #branddesign #branding

PaperSpecs Live is this Thursday in San Francisco.     Hundreds of print samples. Game-changing talks. Techniques you can actually use. And an entire room full of designers who get you. You'll walk away with a bag (or two or three) packed with real-world print samples from top vendors; Insights from Jessica Hische, Kevin Shaw (Stranger & Stranger), Craig Frazier, Justin Ahrens (Rule29), and Sabine Lenz (PaperSpecs) ; PLUS Practical tips from expert-led workshops that will make your next project easier, better, and bolder. Don't miss it. Register here: http://bit.ly/3K9wFCW

It's a big Type Tuesday today! Futura’s Global Expansion by TypeTogether Fit for Another 100 Years. Paul Renner’s beloved and iconic geometric sans serif has been retooled and reimagined for another 100 years, featuring global language support, optimization for digital communication, and typographic goodies for style and readability. Futura®100 was officially released on September 15, designed by the award-winning foundry, TypeTogether. Read Kim Tidwell's interview with founders, José Scaglione and Veronika Burian, to talk about the two-year project to expand Futura at PRINT https://lnkd.in/gxCWeAY9 Words: @kimtidwellwrites Images: @type_together --- #print #printmagazine #typography #typetuesday

Strongbow’s Packaging Now Speaks to Everyone Strongbow, the UK’s number one cider brand, has raised the bar in beverage packaging. Partnering with disability-focused marketing agency Purple Goat, it has become the first alcohol company in the world to integrate NaviLens codes into its packaging. NaviLens is an assistive technology designed to support blind and visually impaired communities. By embedding accessibility into something as simple as a cider label, the brand makes a powerful statement. Accessibility is no longer a niche concept; it’s a marker of modernity and responsibility. Read on at PRINT https://lnkd.in/g-8qJ3Af Words: Amelia Nash @amelia.of.all.things Images: Courtesy of @strongbow_us @purplegoatagency #print #printmagazine #packagingdesign

Ben Millett Explores Queer Identity in Solo Quilted Art Exhibition in Des Moines The quilt maker and graphic designer reflects on identity and the practice of quilt-making, his process, and his solo show on view now through November 2 at the Des Moines Art Center @desmoinesartcenter Read Charlotte Beach's interview at PRINT https://lnkd.in/gWVh7c6i Words: Charlotte Beach @scarlettepeach Images: Ben Millett and @desmoinesartcenter --- #print #printmagazine #culturaldesign #quilting 

It's Type Tuesday! Ho Chi Minh’s Quang San Art Museum (QSAM) has redefined its mission as a place of access and cultural dialogue. In collaboration with local design studio M—N Associates, QSAM now embodies this vision with a new identity that spans strategy, signage, editorial, and digital experience. At the heart of this transformation is a custom sans-serif typeface designed by Bảo Trương and Duy—N. Inspired by the museum’s architectural façade, the typeface is bold yet rhythmic—bridging the timelessness of art with the ever-evolving nature of cultural exchange. Read more at PRINT https://lnkd.in/grFijMw7 Words: Kim Tidwell @kimtidwellwrites Images: https://lnkd.in/gezx-5bq #print #printmagazine #Typography #Design #typetuesday

Looking to Date Better? The glow-up is official. Thanks to the brilliant minds at Chicana-owned If Only Creative, there's a fresh new look for Date Better @datebettersnacks that’s ready to turn heads in Whole Foods and beyond. Swipe right in the snack aisle and fall in love at first bite. Because sometimes the best relationship… is with a Medjool date. No ghosting at PRINT https://lnkd.in/gqXtgaXm Words: Jessica Deseo @jessicadeseo Images: @ifonlycreative -- #print #printmagazine #branding #branddesign #packaging